This prevents singers or rappers from getting too close to the mic and gives you more control over the vocal sound. As the producer/engineer, you can set it at any distance you desire from the mic. The only time peaking is desirable or at the very least acceptable is on the drums.

The MXL V67G features a large 32mm pressure gradient condenser capsule, gold-sputtered, six micron density diaphragm and solid state preamp balanced transformer output. For the price, you probably won’t regret picking up the Behringer.

Meanwhile, condensers are often omnidirectional, picking up noise coming from any direction. The tradeoff is they are great for dynamic instruments and in situations where you need more definition. Dynamic mics tend to be more directional, meaning they won’t pick up sounds coming from the rear or sides. So, it’s undeniable that how a microphone sounds will be a factor when coming to a buying decision.

Assuming you’re capturing drums with dynamic mics, a little bit of peaking shouldn’t result in too much distortion. But if there’s a lot of popping, breathing and other noises going on, you’re almost better off doing another take. Since you’re planning to record vocals, I would highly recommend the use of a pop shield, especially if you’re buying a cheap microphone. Any studio worth its salt will have at least one dynamic and one condenser mic, if not more. Note that even mid-level condenser mics youtube video downloader free download full version will pick up the sound of fans (i.e. computer fans), footsteps upstairs, furnaces, sniffing, chewing, coughing, sneezing and the like, so beware.

When it comes to microphones, it’s not just about sound quality but also about the quality of the sound. With that stated, let’s consider what makes a microphone a worthy addition to your studio. If you’re choosing your first mic right now, then just know that it probably won’t be your last.

This mic has an audio frequency response of 20Hz to 20kHz, a max SPL of 155 db, and 20 mV/Pa sensitivity. This mic has a nice, vintage tube sound and it’s been designed specifically for vocals.

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Still, it’s nice to have a mic or two that stand up to some abuse, especially as you’re just getting the hang of things in the studio. But it’s still good to be aware of the differences between various mics and whether they will work in your slightly noisier environment (it’s just the way apartments, condos or homes are compared to studios). But whether it’s dynamic or condenser, you can find mics suited to home studios.

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But in the studio, they’re great for just about anything, assuming there is no competing background noise. Condenser mics are more sensitive to distortion, making them less usable for live performance. Typically, dynamic mics are directional and do not pick up sounds coming from behind or the sides. So, that means they aren’t great for capturing subtler, shorter, detailed sounds. You’ll often find them on guitar amps and snare drums because they can handle louder sound sources.